Collage, Assemblage, Mixed Media WORKSHOP

 
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Urn Your Keep
Instructor: Michael DeMeng
 

Now I’m of a belief that to be a great artist you need to put yourself, body and soul, into your pieces. So perhaps I’m taking it a bit far with this idea, but hey why not create a nice little space for you to dwell in after you “shuffled off this mortal” coil? In this class we’ll be making mixed media urns or reliquaries to house very special items (heirlooms, old letters, or even YOU) for posterity. Sure it sounds a bit morbid but that doesn’t mean you can’t have some fun with the idea. Of course another possibility is that this is a time capsule of sorts for whatever object you what to enshrine for the future (I hear Twinkies last forever…or thereabouts).

The basic process will be to take a box, jar, canister, etc. and using found objects, and personal effects transform it into some sacred container. We will do this using a combination of assemblage, collage, and painting. To quote David Bowie: "Ashes to ashes, fun to funky.”

 
 
 
Click photos to zoom. Copyright Michael DeMeng
 
  Studio & Material Fee:
  Material fee covers miscellaneous student supplies and Anthraquinone Blue, Van Dyke Brown, Graphite Gray, as well as whatever weird color you want to try.
 
  Student Supplies:
  Students should bring the following supplies:
  • A small chest, canister, or container of any sort. Might be easier to alter if it isn’t glass or ceramic, but it can still be dealt with no matter what you bring. Whatever you bring make sure it is large enough to hold what you want to put in there….or you may need more that one.
  • Aves Apoxie Clay ¼ lbs or more
  • Variety of other found objects that might be interesting additions to the temple. Items like watch parts, gears, typewriter parts….just about anything, really.
  • Fabric and/or paper might come in handy to adorn the interior…this is just an option.
  • Paint Brushes (a couple small detail brushes, and some cheap brushes (1/2 inch to 1 inch in size)
  • Wire a couple of different gauges
  • Basic Tools…pliers, scissors
  • Paint (acrylic…preferably Golden brand…either fluid or heavy body will work)
    • Matte Medium
    • Liquitex
    • Clear Gesso
    • Quinacridone Nickel
    • Azo Gold
    • Black (Mars or Carbon)
    • Titanium White
    • Pthalo Green (blue shade)
    • Dioxazine Purple
    • Van Dyke Brown
    • Quinacridone Crimson
    • Whatever colors suit your fancy…we’ll have time to play with different styles and colors. Lets experiment.
  • Adhesives
    • Dap Kwik Seal  for kitchen and bath -White.  Should say paintable or water base acrylic or latex.
    • E6000
 
  Optional Supplies:
 
  • Interference Colors (blue, violet or any others)
  • Iridescent colors (Gold, Silver, Bronze, Copper, etc)
  • Micaceous Iron Oxide
  • Graphite Gray
  • Heat gun
  • Dremel  with cut off wheel and engraving bit
   
 
 
ADDITIONAL PROGRAM INFORMATION
 




   
 
   
 
Program Details
 
 
Date: 8/25/2010 to
8/26/2010
Time: 9:30 AM-
4:30 PM
Level: All Levels
Min/Max: 8/15
 
  Fees
 
 
Registration Fee $295.00
Studio & Material Fee $10.00
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  Program Complete
 

about the instructor

 

Michael deMeng is an assemblage artist from Missoula, MT who exhibits throughout the United States. As an educator, he has been actively involved with VSA Montana, providing art education and encouraging participation in the arts to people with disabilities. Through these activities, as well as his artwork, deMeng fosters community awareness, and offers creative methods to explore the human experience.

In his art, he addresses issues of transformation. Discarded materials find new and unexpected uses in his work; they are reassembled and conjoined with unlikely components, a form of rebirth from the ashes into new life and new meaning.

These assemblages are metaphors for the evolutions and revolutions of existence: from life to death to rebirth, from new to old to renewed, from construction to destruction to reconstruction. These forms are examinations of the world in perpetual flux, where meaning and function are ever-changing.

  • Visit Michael's blog.

Instructor Web Site