Collage, Assemblage, Mixed Media WORKSHOP

 
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Mask Maker, Mask Maker, Make Me a Mask
Instructor: Michael DeMeng
 

"I collect masks.   I’m not sure what it is but ever since I was a kid I have always been intrigued by the idea of transforming ones identity. That is why I love masks. Perhaps it’s a superhero thing, but mask making is one of the oldest cultural traditions in the world, in fact the earliest example being from the Stone Age.  The hunter would were animal masks to disguise themselves and stalk prey.  They transformed themselves into the animals they were hunting.  In essence this is what a mask does, it changes the wearer into something else. Have you ever noticed when you wear a mask you act a little differently, that you temporarily lose yourself and become whatever the mask represents? " - Michael DeMeng

In this class, we are going to play with this concept and using various found objects or existing masks, we are going to transform them into strange and unusual facial disguises. This is a three day class.  This gives you the opportunity to make plaster forms from your own face if you are so inclined.  It also allows ample drying time for some of the constructions before they are transformed with paint and texture.

Making masks is different than merely wearing them; it can be a process for artists to reveal what is veiled inside one’s soul.   It is a strange art form that keeps secrets but also simultaneously unearths hidden worlds. Oh, the irony.

 
 
 
Click photos to zoom. Copyright Michael DeMeng
 
  Studio & Material Fee:
  Material fee covers miscellaneous student supplies and tools and different paints to experiment with, plus various thingies.
 
  Student Supplies:
  Students should bring the following supplies:
  • A base to work from. This can be a piece of wood, an actual mask, a mannequin head, anything that you can work from to build you assemblage mask.
  • Activa Plaster Rigid Wrap 4" Wide Rigid-Wrap Plaster Cloth (similar products can be found at medical supply stores). You only need this if you want an exact replica mask of your face.
  • Aves Apoxy Clay 1/4lbs or more
  • Variety of other found objects that might be interesting additions to the Day of the Dead toys. Items like watch parts, gears, old toys, typewriter parts….just about anything, really. You want a variety of shapes and forms.
  • Paint Brushes (a couple small detail brushes, and some cheap brushes (1/2 inch to 1 inch in size)
  • Wire (a couple of different gauges)
  • Basic Tools…pliers, scissors,
  • Molding Paste (Golden or Liquitex)
  • Matte Medium
  • Paint
    • Quinacridone Nickel Azo Gold (acrylic paint by Golden)
    • TitaniumWhite (acrylic paint by Golden)
    • Carbon or Mars Black (acrylic paint by Golden)
    • Pthalo Green blue shade (acrylic paint by Golden)
    • Dioxazine Purple (acrylic paint by Golden)
    • Quinacridone Crimson (acrylic paint by Golden)
    • Nickel Azo Yellow (acrylic paint by Golden)
    • Van Dyke Brown (acrylic paint by Golden)
    • Anthraquinone Blue (acrylic paint by Golden)
 
  Optional Supplies:
 
  • Tools like pliers, wire cutters, etc.
  • Heat gun
  • Dremmel with cut off wheel
  • Paints - Micaceous Iron Oxide and Graphite Gray (both acrylic paints by Golden), Iridescent paints or interference paints of your choice
   
 
 
ADDITIONAL PROGRAM INFORMATION
 




   
 
   
 
Program Details
 
 
Date: 8/27/2010 to
8/29/2010
Time: 9:30 AM-
4:30 PM
Level: All Levels
Min/Max: 8/15
 
  Fees
 
 
Registration Fee $442.50
Studio & Material Fee $10.00
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  Program Complete
 

about the instructor

 

Michael deMeng is an assemblage artist from Missoula, MT who exhibits throughout the United States. As an educator, he has been actively involved with VSA Montana, providing art education and encouraging participation in the arts to people with disabilities. Through these activities, as well as his artwork, deMeng fosters community awareness, and offers creative methods to explore the human experience.

In his art, he addresses issues of transformation. Discarded materials find new and unexpected uses in his work; they are reassembled and conjoined with unlikely components, a form of rebirth from the ashes into new life and new meaning.

These assemblages are metaphors for the evolutions and revolutions of existence: from life to death to rebirth, from new to old to renewed, from construction to destruction to reconstruction. These forms are examinations of the world in perpetual flux, where meaning and function are ever-changing.

  • Visit Michael's blog.

Instructor Web Site